SGM Art Collection Exhibition > Awakening of Love – The Female Figures as Subjects in Art
14 October 2017

Awakening of Love – The Female Figures as Subjects in Art

FEATURED ARTWORKS

Naissance

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Arman

Crystal and Bronze

70 x 40 x 45 cm

2001

Nuwa Mends the Heavens

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Zhu Qingtang

White Marble

75 x 26 x 20 cm

2001

Mu Guiying

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Chen Bingzhong

Wood

41 x 14 x 10 cm

1966-1976

The Weaver Girl and the Cowherd

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Liu Aizhu

Shoushan Qijiang Stone

21 x 30 x 16 cm

Harvest

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Zhu Qingtang

Longan Wood

79 x 27 x 26 cm

2003

Mother and Son

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Zhu Qingtang

White Marble

47 x 29 x 23 cm

2000

La Maternité (Motherhood)

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Catherine Lorain

Crystal

44 x 28 x 18 cm

1998

Harmony

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Sonia de Suza

Crystal

47 x 28 x 25 cm

Shyness

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Huang Lijuan

Shoushan Niudan Stone

11 x 10 x 5 cm

Sun • Mother

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Li Zijian

Oil on canvas

164 x 264 cm

2000

Offering

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Tay Moh Leong (Dato')

Dye on fabric

182 x 105 cm

Sanjiang Dong Girl

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Pan Shixun

Oil on canvas

192 x 97 cm

2000

Weaving Cloth

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Kanak Chanpa Chakma

Acrylic on canvas

46 x 61 cm

2008

The Song of Herd

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Wang Xin

Oil on canvas

80 x 120 cm

1996

Village Girl

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Guan Weixing

Watercolour on paper

34 x 48 cm

2002

The Dong Sisters

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Jiang Caiping

Ink and color on paper

69 x 69 cm

1980

Fair lady

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Yan Zhenduo

Oil on canvas

200 x 191 cm

1987

Confident Girl

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Bob Yan

Oil on canvas

80 x 60 cm

2004

Reflection

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Di Lifeng

Oil on canvas

80 x 64 cm

1994

The Lady

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Zhang Daqian

Ink and color on rice paper

96 x 60 cm

1946

Julie

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Tan Tong

Oil on canvas

100 x 120 cm

2004

Stay

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Bao Zhen

Oil on canvas

132 x 106 cm

1998

EVENT HIGHLIGHTS

About Exhibition

Over the course of human civilisation, women of various social status and contributions across the world demonstrate different images and styles. There is a long history in art, of artists expressing the characteristics of the beauty of form and essence with female figures as subjects. Since the past, transcending east and west, women are some of the most important themes of artistic creation.

Whether the feminine figure is strong and healthy, delicate and weak, natural and elegant, or slim and charming, the aesthetic points of view on female beauty change over time. Yet “the inner beauty” is common in women living in different eras; it is an eternal symbol that will always be idealistic.

Therefore, artists’ creations are not necessarily all about beautiful women. Talented artists would emphasise more on the form and content of beauty which is expressed through their work, and their yearnings and expectations towards such beauty. In other words, they follow their own concepts of “beauty” in order to sculpt the female images.

The exhibition seeks to explore “love” and various inner qualities that humanity has gradually forgotten, through this parent body that nurtures life and the female body which is also the symbol of humankind, under the theme, “Awakening of Love.” The exhibition urges the viewer to rediscover, to be inspired and awaken to these common, unchanging and innate qualities of our own humanity. To revive the love for humanity in our life and to spread out a powerful message to build a harmonious and wonderful society together – this is the meaning of “Awakening of Love.”

This exhibition is divided into four sections, namely,

(1) Myth and Legends — Nobility. This section presents the idealised concept of female characteristics through the subject of women from ancient mythology and legends,

(2) Motherly Love — Nurture. This section presents the universal maternal instinct and motherly love,

(3) Devotion — Passion. These artworks, with realism as the main style, portray women’s livelihood and work in different times and locations, displaying their social roles and tenacity, and

(4) Uniqueness of Each Individual — True self. Through the artists’ unique perspective, the women’s femininity, spirit and various temperaments are portrayed in this section.

Fifty two artworks were featured in the exhibition, including oils, acrylic paintings, watercolour paintings and sculptures made of wood, stone, crystal and bronze. This exhibition brought together masterpieces from the East and West. Through the female figure in the artworks, we intended to portray the female characteristics and charm of different times and cultures, and to understand and reflect on the existence and importance of female characteristics, be it of Eastern or Western, in the society. We hope that viewers will be awakened to our common intangible “love for humanity” by viewing these tangible artworks.

For love makes the world warmer.